A minimum quantity of 10 is required on this title.
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,
A minimum quantity of 5 is required on this title.
Part of the National Collegiate Choral Organization Choral Series. This edition still contains many of the editorial touches of Thomas Dunn's 1976 edition; however, when the NCCO asked that it be included
In a masterful blend of early musical style with modern melody and harmonies, this beautiful setting of the traditional text shines with elegant simplicity. A rubato piano opening leads to a unison
The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety
A minimum quantity of 25 is required on this title.
This is a choral mini-drama that, through intense and chaotic vocal lines and harmonies, depicts the emotions surrounding the Crucifixion. The text includes the last words of Christ as well as a elements
The arrangement of this African American spiritual is both accessible and gorgeous. A short choral section is used for the introduction, interludes between verses, and at the conclusion, adding cohesion to
This remarkable new arrangement for SATB chorus and piano focuses on the inherent drama of the text. Each verse expresses a different reaction to its question about the Crucifixion. The piano accompaniment,
The original tune and lyrics for this piece are by William Billings and have been adapted for mixed chorus, optional percussion and piano by Gwyneth Walker. The mournful spirit of early Americana in the