With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that "all will be well." Todd's gentle melodies are supported by a delicate, pulsing piano accompaniment

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. With a rhythmic a cappella texture, this selection

Inspired by the text of poet E. Pauline Johnson, Sarah Quartel has created an energetic and fun piece for a cappella voices. Melodic elements and counter melodies are shared between the voices in a

Scored for unaccompanied mixed voices, this collection of ten compelling works is a celebration of some of today's most inspirational contemporary women composers. Featuring an eclectic mix of styles and

This is an evocative setting of a powerful text by Sean Street describing the call for assistance made by the occupied Channel Islands in 1944 and the response of the Red Cross ship, the Vega,

This modern setting of an Anglo-Saxon charm features an incantation-like whispered list of potion ingredients combined with its pop-inspired vocal lines. The unusual, dramatic, and layered textures also

A great rhythmic ostinato unifies this energetic a cappella setting of a Jennifer Thorpe text that celebrates the festivities of the Christmas season. Toby Young's lively melodies are full of syncopated

This setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses and are

A celebration of Oxford's popular Songbird series, this collection of nine original works for upper voices in two, three, and four parts meets the need for fresh concert repertoire for youth and

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterize the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple but

This is an upbeat original setting of the well-known Latin Christmas text. Rambunctious, hearty, and in a sophisticated modal style, it is suitable for both church and concert performance by experienced

This uplifting anthem sets the Invocation text from Carmina Gadelica, a collection of Gaelic prayers and poems. Beautiful melodies flow and intertwine, decorated by Scotch snaps that reflect the

Beginning with a mystical, ethereal feel with a haunting optional cello line, this piece opens with lyrical choral lines singing over a baby and promising heavenly protection and care. The mood then shifts

Hail, Heavenly Beam is a powerful and joyful setting of a 9th-century Advent prayer. Colored by rich harmonies and tonal shifts, the piece opens briskly before propelling itself towards a rousing

This exquisite a cappella setting of a familiar text by Isaac Watts is distinguished by sensitive declamation via mixed meter. Choirs are encouraged to explore different performance options for each of its

This carol recounts the Christmas story from the perspective of Joseph. Two expressive verses are taken by the solo baritone, with the chorus performing a refrain infused with expectancy and wonder. In the

This is a funky arrangement of Beethoven's Ode to Joy with an English text by Henry van Dyke. The well-known melody is arranged in 12/8 time with syncopation, giving it a jazzy, gospel feel, while

This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the

This beloved 4th century text is set with new music for a cappella voices in a mostly homophonic texture. The unmetered flow provides a beautifully sensitive text declamation and the compelling harmonies

This accessible composition sings easily on top of the very supportive piano accompaniment (which may be played on organ). Church choir directors will find this anthem useful for Palm Sunday or a festive

This short, energetic piece sets words by contemporary hymn writer Mary Louise Bringle. The text is full of hope; Wilberg's use of a 7/8 time signature keeps the verses propelling forward joyously while

A modern concert a cappella piece, this gentle song highlights text from a letter by Edna St. Vincent Millay to her lover. Presented in a 5/8 time signature, this selection from the Breath of Song

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text, A Patre Unigenitus/Through a maiden is come, with its exclamations of Eya! reinforcing the festive