This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest

An earnest soloist is accompanied by the soulful "oo"s of an a cappella choir during the expressive introduction to this spirited original. Soon we take a turn as the piece bursts into an exciting,

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

This celebratory work is solid and rhythmic, featuring a driving accompaniment that helps to fuel the excitement. With options to feature a small ensemble or solo throughout its development, this piece will

If you are looking for a dramatic concert/festival work, be sure to look at this one! The glory of music is treated with great depth and musical-textual imagery in this deeply moving selection, which offers

This exquisite combination of a text based on Psalm 128:1 and the excellent choral writing of Richard Ewer will amply display both choral musicianship and beautiful singing. Beati Omnes is a

This Nigerian carol will impart a very special dramatic flavor to your holiday concert! Sung a cappella or with optional percussion (conga, bongos, tambourines), it is a remarkable piece, with the original

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

Premiered at Lincoln Center, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130. Somewhat reminiscent of Carl Orff's "Carmina Burana," it is truly a striking

Part of Donald Patriquin's World Music Suite.  The suite has six different octavos published for children's voices: Cabbage-Tree Hat; Taivas on Sininen; The Stuttering Lovers; Ach! Synku Synku;