Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African

This Jewish prayer for peace for the next year is presented in a masterful setting. As the simple, memorable Hebrew chorus is restated, the music unfolds in a rich and sonorous outpouring supported by a

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

Your choir will really "pull out all the stops" when they sing this dynamic, powerful arrangement! The traditional underground railroad map song has been transformed into a first-rate choral feature by

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

This high-energy piece in a contemporary style is perfect as an opener in a concert or festival setting. Featuring a Latin text, the opening fanfare-like section leads to a contrapuntal middle section

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

This Shaw–Parker edition has become a staple in choral programs and libraries throughout the world. Victoria's masterwork is a stellar example of 16th-century polyphony.

Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.