Taffanel & Gaubert’s 17 DAILY EXERCISES has long been the standard source for daily flute warm-ups and general practice. Flute virtuoso Jasmine Choi provides a must-have expanded edition

AIR was originally composed for flute and organ in 2008, and later adapted for flute or violin solo with orchestra. This version with piano was created by the composer in conjunction with the orchestration.

THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with

A musical Advent calendar containing 25 traditional Christmas carols arranged for clarinet with optional piano accompaniment. These flexible arrangements work as both solos and duets, with or without piano

A major addition to the saxophone concerto repertoire, Zwilich’s three-movement work is inspired by her early experience playing in big bands, along with a love of rich textures and driving rhythms

Grief and gratitude for a departed friend mingle in this short yet impactful solo. Textures and harmonic turns are fresh and unexpected, though never jarring and always from the heart. Composed in

Adapted by acclaimed pianist Lara Downes from the original work Especially Do I Believe in the Negro Race by Margaret Bonds. This is the lyrical second movement from Bonds' larger work "Credo" on

DUNHUANG FANTASIA is a fascinating 12-minute drama inspired by art from grottoes in the ancient town of Dunhuang in western China. These frescoes preserve images of music and dance scenes, including the

Chen Yi’s ELEGY was composed in 2020 both as her own response to the covid pandemic, and in conjunction with the Saint Paul Chamber Orchestra’s series of solo commissions for their performers

This gem of a collection was commissioned for Juilliard’s pre-college Music Advancement Program. The ever-imaginative Hailstork has created a book of 11 short, contrasting works for performance, at a

Bach's glorious flute obbligatos are entwined with the vocal lines of some of his greatest arias. In this edition of six cantata obbligatos, the keyboard arrangements provide a sensitive reduction of the

Composed in honor of the composer's former teacher Donald Erb, Peterson's 4-minute solo work is a dazzling yet idiomatic etude, and great fun to play. Available in versions for bassoon, bass clarinet, and

Schocker has added a major work to the bass flute repertory: an 11-minute piece in three movements encompassing neoclassical, jazz, and Latin dance styles. The wide range of moods offers opportunities to

Commissioned by The Juilliard School’s Music Advancement Program, IMPRESSIONS FROM THE CHINESE ZODIAC is a suite of three characteristic pieces within reach of advanced pre-college saxophonists, and

A long-established standard for low clarinets, IN A DEEP FUNK has been transcribed for low saxophones by the Australian virtuoso Yo-Yo Su. The work is modeled in concept after Bach’s cello suites,

Amlin’s affinity for the warm, rich voice of the viola mixes with his mysterious, beautiful modernism in this 2-minute change- of-pace gem featured on Michelle LaCourse’s “An American

MAYKA (Serbian for “mother”) is a fascinating collection of 10 short recital pieces, each inspired by Serbian folk-music traditions, enriched through a broad variety of non-traditional

Make daily technique practice a pleasure– not a chore. Micro Études covers all the main elements of good technique, through short, melodic, and highly focused miniature studies in keys up to

Phrasings and hints of Chinese folksongs, and the dramatic beauty of nature, are often the deep inspiration for Chen Yi’s musical worlds, along with the subtle relationship between folk arts and

Amid his beloved catalog of music for low brass, NEWBURYPORT SONATA is Eric Ewazen’s first recital work for tuba. The composer’s preface tells us, “This work was written during the year of

A collection of eight of the greatest opera arias, including rarely performed coloratura arias by Handel and Mozart. These arias have been edited with careful attention to articulation and phrasing to allow

POSTCARDS FROM UKRAINE is a charming-yet-fiery suite of six character pieces reflecting the culture and music of Didorenko’s homeland. The work was composed in early 2022 following the invasion.

In this short and wild ride free of barlines, Pann’s fantasical imagination gives bass clarinetists an excitement-packed adventure. The composer has written, “As these four pages progress, the

Hailstork’s beautifully lilting SICILIANA for solo English horn is actually structured as a recitative and aria: a dramatic prelude serves as a soliloquy with question-like pauses, teasing our ears