Immerse your audience in the mesmerizing tapestry of sound! This captivating piece paints vibrant emotions with delicate strokes. Through its intricate melodies and textures, it unveils a rich spectrum of
This all-new setting for wind band alone consists of approximately eight of the original twelve minutes of the original suite for band with chorus. It is the third offering in an ongoing series which will
In 1946, George Walker was still doing graduate work at the Curtis Institute when he composed Lyric for Strings, which would prove over the coming decades to become one of the most performed and
A musical kaleidoscope of the real old-fashioned Fourth of July, you can almost hear the firecrackers and see the skyrockets and pinwheels filling the air with a pattern of noise and color. This, together
Cast in the dark, dramatic key of F minor, this work is in a traditional overture form. A jaunty introduction in low brass introduces the first theme, which is tossed between sections before a transition
Your more developed orchestras will enjoy playing this fresh arrangement of the popular American folk song at their next spring concert or patriotic event.
The last of a collection of 15 sinfonias for clavier, this wonderfully scored arrangement for advanced string orchestra will stretch your players' technical boundaries, teach subdivision, and expand their
A lively sea-shanty style dance for string orchestra and harp with an infectious melody that is passed throughout all sections of the orchestra. This is a wonderful technical challenge in 6/8 that will be
A fine transcription for concert band originally written for chorus, this is the fourth installment of Robert Russell Bennett's suites for concert band. It features Break Forth, O Beauteous Heavenly
Written in a single summer month while World War II was still raging in 1944, Prokofiev’s Symphony No. 5 would become not only one of the composer’s most celebrated and performed works, it would
Mark Rogers began his band transcription of the Shostakovich Fifth Symphony at the request of the U.S. Army Field Band and conductor Finley Hamilton, arranging the work’s Finale for the ensemble,
A staple in the repertoire of high school and advancing college level trumpet players. On major contest and festival lists throughout the world.
From the French Conservatory solos, this piece is a standard in the repertoire for trombone and should be a must for any serious player. A very fine selection characterized by expressive phrasing and rich