This collection of essential flute solo music was selected and edited by legendary flute artist and teacher Sir James Galway. This volume contains these works by Philippe Gaubert: Fantaisie;

This tango was written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many

Edited by the International Clarinet Association's former pedagogy chair Paula Corley, this delightful recital piece for clarinet and piano begins with rubato flourishes in the introduction. The theme is a

Here's a rousing pasadoble, which is a stately Spanish march style arranged for clarinet, piano, and optional castinets by Paula Corley, former Pedagogy Chair for the International Clarinet Association.

Four Short Pieces was composed in 1912 and was originally written for violin or cello with piano. A number of recordings exist for these combinations as well as a version for flute and piano. This

The songs in this collection were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish melodies. The

Well-known Japanese saxophonist, Masato Kumoi, commissioned this work after hearing composer Yukiko Nishimura's popular band work, Star Ship.  His request was for a new solo alto saxophone and band

Edited by Tristan Willems. For alto saxophone & piano reduction. A concerto in three movements. Weinberger composed this work in 1940, and revised and orchestrated it in 1946. Score, 28 p. and part.

This collection of works for flute and piano is edited by one of the world's foremost authorities on the Classical flute repertoire, Sir James Galway. The edition include Galway's own performance notes and

Charles Le Thieree's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from

Ideal for the intermediate flutist, Emil Titl's Serenade showcases the lyrical tone quality of the flute with long melodic phrases punctuated with delightful ornamentation. In a fluid

This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory, meticulously compiled, arranged and edited over the course of many years by accomplished

Paul Wetzger's Am Waldesbach (By the Forest Brook), ideally for flute and orchestra or piano, was a staple of celebrated flutist Marcel Moyse. Since then, it has become a favorite in the flute

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra, which later became English National Opera. His fondness for good tunes, with

Adapted and based on themes from the Ambroise Thomas opera Mignon, this Paul Taffanel work is a firmly established part of the modern flute repertoire. This new Southern publication features Sir

For Tanya is a lyrical, romantic work dedicated to the composer's wife. The original version for flute, alto saxophone and piano was premiered in Ukraine. This version features flute duo with piano

Romance for flute and piano is based on an original vocal work of the same title by the composer. This lyrical and expressive version was created for and dedicated to the world-renowned flutist

Composed originally for flute and alto flute duo with chamber orchestra, this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra and

Sir James Galway became acquainted with this short, but brilliant encore of Reichert's while visiting Albert K. Cooper at his home in south London. This new exclusive edition presents the work as performed

In addition to Giulio Briccialdi's important contributions to flute making, this virtuoso arrangement of the popular theme became one of his most enduring legacies. This exclusive edition of Carnival of

With an updated flute solo part edited by Sir James Galway, this new publication introduces Mouquet's whimsical work to a new generation of flutists. In three movements: I. Pan Et Les Bergers (Pan and the