This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and
A minimum quantity of 10 is required on this title.
Two of Clara Schumann's most renowned solo art songs, Sie liebten sich beide and Warum willst du and're fragen, are beautifully adapted for treble choirs. Retaining the original German
Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.
An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a
Although primarily known as an opera composer, Galuppi contributed a steady output of sacred music. In this edition, the original figured bass has been fully realized in the piano accompaniment, but the
Excerpted and adapted from the beautiful Christmas Oratorio by Saint-Saens, this movement is a wonderful addition to any Christmas or general concert program. Middle school friendly ranges for mixed or
Long a standard for choirs, this simple and elegant Schubert song for mixed choir is experiencing renewed interest. A singable English text is provided along with an IPA pronunciation guide and translation
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
This classic Baroque duet is always a popular choice for young singers. In this beautifully realized edition, the key has been lowered to D major, and Baroque-inspired ornaments have been added to the
Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
Here is the famous madrigal by Thomas Morley in a stylistically authentic performance edition. Ideal for chamber, madrigal, and concert choirs, this cheerful work offers superb opportunities for developing
Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs
Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!
Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied
This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities
From Vivaldi's opera "Il Giustino," this solo aria-turned-choral arrangement is a great way to introduce choirs to the Baroque style. Lively melismas, stylistically appropriate ornamentation, easy Italian
A three-part madrigal by Thomas Weelkes, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful selection for contest and festival! With hand drum.
Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement
This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will
Intended to be performed as a pair, these two movements from Antonio Lotti's Requiem are for treble choir with piano or string trio accompaniment. The first movement is completely in unison, while the
This early Mozart work (KV 276) contrasts soli with the full choir. Available for mixed and treble choirs, this arrangement is a vigorous seven-minute concert feature of this well-known and well-loved
Purcell's original was for solo soprano and figured bass, while this new choral adaptation offers a counter melody in the second verse along with a stylistic piano accompaniment. Ample unison singing allows