An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a
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Although primarily known as an opera composer, Galuppi contributed a steady output of sacred music. In this edition, the original figured bass has been fully realized in the piano accompaniment, but the
This classic Baroque duet is always a popular choice for young singers. In this beautifully realized edition, the key has been lowered to D major, and Baroque-inspired ornaments have been added to the
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs
Five classics from the Romantic era make this a useful and valued collection for mixed choruses in schools, colleges and communities. Includes: Abendlied (Josef Rheinberger); Abendstndchen
Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!
Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied
This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities
From Vivaldi's opera "Il Giustino," this solo aria-turned-choral arrangement is a great way to introduce choirs to the Baroque style. Lively melismas, stylistically appropriate ornamentation, easy Italian
Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement
This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will
Often considered the greatest English composer after Purcell, Edward Elgar has contributed many significant works. Here are five of his choral works that are wonderful examples of his skill and creativity:
Offering both the Finnish text and a singable English translation, here is a song by Finnish composer Jean Sibelius. An IPA guide is provided on the inside cover making it very accessible to present this in
This early Mozart work (KV 276) contrasts soli with the full choir. Available for mixed and treble choirs, this arrangement is a vigorous seven-minute concert feature of this well-known and well-loved
The second movement of Bach's Magnificat is traditionally sung by a mezzo-soprano soloist, but has been adapted for unison treble chorus. Melismatic singing and Latin text give the opportunity to teach
This lovely collection of 12 works is a celebration of the 50th anniversary of the King's Singers. The a cappella volume contains mostly madrigals and early music, with a few selections from later
This lovely edition provides a welcome opportunity for young singers and smaller ensembles to perform Baroque music in an authentic style. The keyboard part can be performed by harpsichord, piano, or organ,
Equally at home when writing for either instruments or singers, Antonio Vivaldi's work, originally a duet for two sopranos, is now arranged for two part choir. This piece shows off both the singers and the