A collection of four songs for high voice and piano, these 'Wing' songs are inspired by the many characters of birds portrayed in poetry and folksongs. The tiny swallow is a mournful bird, weeping in

These marches make excellent processionals, recessionals, and postludes. March in C Major and March in Eb Major are very accessible, while March in D Major offers more

This suite for organ solo looks back at Baroque forms in a contemporary manner. The first movement, Sinfonia, is based on the Advent chorale NUN KOMM, DER HEIDEN HEILAND (Savior of the Nations,

A collection of ten vocal solos by an American composer whose music is known for its energy, beauty, reverence, drama, and humor. These pieces are appropriate for worship or

A set of four songs for lower voice with piano and optional string trio accompaniment. Songs may be sung separately or as a group. The deep sonority of lower voices works particularly well with strings.

The text accompanying this piece was recorded in the diary of Fr. Isaac Thomas Hecker (1819-1888), founder of the Paulist Fathers, and may be read by a narrator before each movement. Perfect for Pentecost,

A collection of four Christmas carols from the British Isles, arranged for flute and keyboard. The first, From Heaven High, is a Scottish carol, featuring quietly flowing motion and

This is Juliana Hall’s first sacred song, a setting of a hymn text by the great hymn writer of the 19th century, Fanny J. Crosby. The song is suitable for concert performance or for use in a religious

This engaging work by Mary Beth Bennett was commissioned by the Northern Virginia Chapter of the American Guild of Organists to celebrate its 50th anniversary. A soft misterioso section, reminiscent of Jean

This work is built on a theme of the late Virginia composer, Ludwig Liehn. Commissioned for the 2009 Mid-Atlantic Regional Convention of the American Guild of Organists, it has six movements: Intrada (2

All three songs from Prayers and Blessings are interconnected motivically, yet distinct in meter, tonality and message. Peace and reverence flow throughout. The version for bass-baritone was

Based on Psalm 139 as translated in Psalms Anew. The portions of text deal with the encompassing and comforting nature of God and the guiding aspects of faith. The music seeks to envelop the