This is an organ transcription of a well-known Tchaikovsky waltz. It is skillfully arranged and useful for concert or recital use.

A unique collection of toccatas representing selected works from the 16th through 20th centuries. Beautifully edited and extremely useful as postlude and recital material. Contents include works by

Based on the practices of the French Classical organ tradition, with an opening plein jeu, and a closing grand jeu. The various interior movements display a wide variety of compositional color.

An extremely useful collection of transcriptions that can be used in concert, service playing, weddings, and other occasions. Contents: Sinfonia from Cantata 29 (J.S. Bach);

Intended for concert use as a novelty piece, this set of variations based on a plainsong theme is played entirely by the feet on the pedalboard. The theme is taken from the Alleluia from the "Mass

The text accompanying this piece was recorded in the diary of Fr. Isaac Thomas Hecker (1819-1888), founder of the Paulist Fathers, and may be read by a narrator before each movement. Perfect for Pentecost,

This three-movement composition for solo organ begins with a dramatic, evocative Prelude, followed by a haunting and lyrical Adagio, and concludes with a dazzling, fiery Toccata.

This engaging work by Mary Beth Bennett was commissioned by the Northern Virginia Chapter of the American Guild of Organists to celebrate its 50th anniversary. A soft misterioso section, reminiscent of Jean

This work is built on a theme of the late Virginia composer, Ludwig Liehn. Commissioned for the 2009 Mid-Atlantic Regional Convention of the American Guild of Organists, it has six movements: Intrada (2