Sweeping and cinematic in scope, this multi-movement work serves as both a tribute to the birds that once filled our skies and a warning about our own tenuous existence on the planet. The compositional

From one of the UK's bright, emerging choral composers, Rhiannon Randle, is this sublime setting of the familiar Latin text. O nata lux is a personal reflection on the compelling and timeless

From the Grammy-nominated work The Lost Birds, this setting of a poem by Edna St. Vincent Millay ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the

With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a

Here is a lively and intricate setting of the classic French carol that builds to a powerful close. In imitation of the flute and drum mentioned in the carol, the singers play back and forth repeating

Now available for SATB. Based on a Christopher Smart text also memorably used in Benjamin Britten's “Rejoice in the Lamb,” originally set for treble voices, this new voicing retains the little

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra, it is a long-awaited sequel to the

Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts, and the a cappella

Here is a newly-created traditional song that pairs an old hymn text with an original melody. The banjo-like piano accompaniment gives the music motion and excitement and the result is a truly rousing

The angular nature of the asymmetrical rhythms and constantly changing meters brings vibrancy and momentum to this work. Shifting harmonic centers create unpredictability and surprise, and the bold,

Originally titled Nowell, Nowell, Dieu vous garde, this 15th-century English carol has been recast in modern form although the ancient feel is still present. Vocal parts may be performed a cappella

Beginning with two main thematic ideas that are developed throughout the work - a gentle, lilting two-note motive and a lyrical four-note theme that travels throughout the voices - this seven-minute piece

"If we can be happy and live well without causing unnecessary harm, why wouldn't we?" This simple and yet profound question is an invitation for choir, listener, and all of us in this beautiful new work.

Mount Rushmore is a dramatic work for chorus and orchestra inspired by the monumental sculpture of four iconic American presidents: George Washington, Thomas Jefferson, Theodore Roosevelt and

For SSAATTBB chorus & organ. First printing. Commissioned by the Leeds Festival Chorus. Premiered in Leed, March 2014.

This beautiful text by Metaphysical poet John Donne brings a poignant message that as long as you keep what is most loved in your heart, you are never truly parted. This lovely idea is held together by a

Sung without vibrato so that the vocal colors and their translucent quality remain pure and clear, this recalls the Baroque passacaglia procedure where the bass line underpins the entire work. This is an

From Karl Jenkins' The Peacemakers, this is a stunning a cappella work for divisi mixed voices and soprano solo. Both Latin and English texts are used and the composer has provided a part for piano

The opening movement of Karl Jenkins' popular "Gloria" for mixed voices and piano. 

Scott Lounsbury's poem is full of whirling images, imaginative turns of phrase and a rhythmic insistency that doesn't stop! David Brunner has set his text with urgency, playfulness, electricity and rhythmic