A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

Based on Angels We Have Heard on High, this new arrangement opens with shepherds, represented in the music by tenor and baritone soli, hearing angel voices "o'er the mountains, guided by a Holy

This work portrays the animals who protected Jesus and Mary during Jesus' birth. Each animal proudly takes its turn announcing its contribution. The donkey carried Mary "up hill and down." The dove "cooed"

This a cappella setting of the traditional Latin text for Christmas features a lush harmonization and a unique melodic voice. With significant divisi, this challenging work features some mixed meter and

Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes as it is a set of original compositions based on them. The first piece, Oh, Chanukah/Y'meit

Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes as it is a set of original compositions based on them. The second setting features a jazz-influenced,

Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes as it is a set of original compositions based on them. The mood of the third setting is extremely upbeat;

Julian Wachner gives us a pastoral of the traditional tune, and text from A Recueil de noel en langue Provencal, 1856 (Collection of Christmas Carols in Provincial Languages, 1856). Included in the