Reminiscent of the music of Quincy Jones and Henry Mancini in the 1960s, this catchy boogaloo for advancing groups is a fun-loving fusion of Brazilian, Afro/Cuban and American funk influences. The easy solo changes are based on a minor blues with an 8-bar bridge; while tenor sax and trumpet are the designated soloists, chords are also cued for alto sax and trombone.