Edited by Wilfried Fischer & Martin Schelhaas. For violin & piano reduction. Urtext Edition. Reconstructed from BWV 1056. Score, 13 p. and part.

Piano reduction edited by Vilem Blazek. Viola part revised by Jan Plichta. For viola & piano reduction. Preface in Ger., Cz. and Eng. Performance material is available on rental from the publisher.

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Contents: Allegro moderato -- Poco Adagio quasi Andante -- Rondo. With an introduction and preface in English and German. Critical commentary. Beethoven composed this sonata in 1800 for hornist Giovanni

Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists

Edited by Clive Brown. For violin & piano. Urtext Edition. Preface in Ger. and Eng. Including detailed information on the genesis, historical editions, and Beethoven's metronome markings. With

Edited by Clive Brown & Neal Peres Da Costa. For violin or viola & piano. Urtext Edition. Preface in Ger. and Eng. Includes performance practice commentary as well as a critical report. Contains

Edited by R. Larry Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Based on the German first edition. Includes critical commentary. Score, 6 p. and part.