Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking

Rollo Dilworth has combined this traditional freedom song - sung as an anthem of protest during the civil rights movement to spread the message of faith, determination and perseverance - with the words of

Al Shlosha D'varim is a lyrical setting of an essential maxim from Jewish morality laws, translated to mean: "The world is sustained by three things: by truth, by justice, and by peace." Available

This work was inspired by the Radcliffe Ladies' Choir and their motto, "Friendship through singing." The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direction

This warm choral setting is so beautifully melodic and expressive, it could be precisely the way Robert Louis Stevenson imagined his famous "I will make you brooches" poem. This is very sweet, singable, and

Incredibly nice! John Rutter's superb talents are evident in this sprightly, uplifting original Christmas carol. Voice ranges are exceptionally good and totally supported by the rhythmic piano or harp

A delightful medley of the Appalachian folk tunes Shenandoah; My Home's Across the Blue Ridge Mountains; The Coo Coo Bird; and She'll Be Comin' 'Round the Mountain for treble

This original work sets a well-known Emily Bronte poem in a lyric song style. Flowing vocal lines and rich musical colors offer choirs many opportunities for expressive singing. The SATB version is adapted

"Way up yonder above the moon, a bluebird sits in a silver spoon. Kitty alone and I..." This Irish nonsense song is a whirling, twirling kaleidoscope of sound - an excellent showcase for young treble

This lovely work for SSA voices expressively depicts the beauty of the evening sky as it deepens from the crimson twilight until the silver threads of moonlight stream down to the earth below. An inspired

A rollicking setting of a popular 19th-century British folk song provides a real change of pace in any program. Easy to learn and fun to sing, with some great teaching moments, this is a great way to

Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

Honest, authentic, heartfelt. These are the words that come to mind with this plaintive folk setting for SSA voices. Whether performed a cappella or accompanied by guitar or piano, this selection will