Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.

A true classic, Luboff's lush and distinctive a cappella arrangement of the traditional Bahamian spiritual is a standard in the choral performance repertoire. The treble version has been adapted by James E.

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

If you are looking for a dramatic concert/festival work, be sure to look at this one! The glory of music is treated with great depth and musical-textual imagery in this deeply moving selection, which offers

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

This heart-pounding setting of the Dies Irae is becoming a favorite at festivals and honor choirs. Driving rhythms overlap with flowing lines to create a piece that is easy to learn and impressive in

From the master arranger of spirituals, this one is probably Hairston's most famous - and rightfully so. It's popular with choirs and audiences and is a favorite for festivals!

This unique a cappella work captures the drama of the survival of the Sudanese people during the famine of the 1980s. "Ease my spirit, ease my soul, please free my hands from this barren soil. Ease my

A long-time favorite on the festival circuit, this dynamic, exciting, joyous selection surpasses the ordinary! Syncopated rhythms and changing meters, combined with a sizzling piano part, make this a

"All we are we have found in song" is the first line of this stunningly beautiful poem by Euan Tait, set to music by Norwegian composer Kim Andre Arnesen.  This romantic notion is woven throughout

This vigorous seven-minute work is a rhythmic yet lyrical setting of the Latin "Gloria in excelsis" text that will be a highlight of both sacred and secular programs, especially at Christmas. Written for

These intimate and comforting lines of Elizabeth Bishop's sonnet are set to music that is reflective, lush, and lyrical, with the text always foremost. Originally written for SATB chorus, this voicing for

The romantic style of this setting is lush, expressive, and perfectly fashioned for the text. "If music be the food of love, sing on, sing on, sing on till I am filled with joy..." The work is a superior

This work is pure magic! Short rhythmic phrases repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate for