Arranged for and recorded by the Robert Shaw Chorale, this joyful and exuberant Shaw–Parker setting of the early American hymn tune WATT'S LYRE is crafted for a cappella mixed chorus.

This delightful five-voice madrigal from 1604 is outstanding! Echo effects and lots of interplay among the parts make the most of the musical imagery of "running in and out." This is guaranteed fun to

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

If you have a very talented choir looking for a challenge, this is an absolutely "must do" spiritual! The use of the many variants of the text allows the music to maximize the use of gospel-style

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

Celtic mouth music, sometimes called lilting, diddling, or puirt a beul ("tunes from the mouth"), is a vocal version of what would typically be instrumental folk dance music. The tantalizing