Texas UIL Choral Treble Grade 5

This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest

An animated, lilting, and dramatic a cappella work, this choral tour de force briefly quotes the hymn Praise to the Lord the Almighty in a fresh and innovative way. It is a truly impressive work

Inspired by the text of poet E. Pauline Johnson, Sarah Quartel has created an energetic and fun piece for a cappella voices. Melodic elements and counter melodies are shared between the voices in a

Harriet Prescott Spofford's poem describes a young woman who discovers a bold new world of thrilling beauty when she ventures beyond her familiar walls. Accompanied by piano and optional violin, cello,

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

Composed in an Afro-Peruvian dance style, this piece for treble choir and piano with body percussion is so fun to perform! The lively tempo, engaging melody, and singable harmonies are a great match for

This is an old Quaker hymn dating back to the 1800s in the United States. References to the persecution of Friends may be heard in the lyrics, yet faith and courage prevail. This arrangement emphasizes the

Based on a text by Christian mystic Hildegard of Bingen, the powerful melodic statements coupled with ethereal divisi reflect Hildegard's acknowledgement of the divine already within. Scored for eight-part

Poet Zoe Atkins likens her uncertainty to the wavering winds and shifting shadows and contrasts it with the unchanging stars and secure land. This text is mirrored musically with an opening section of a

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

Four hands on the keyboard give great drive to this very rhythmic, exciting and dramatic piece with a Sara Teasdale text. Chord clusters, close harmonies, and divisi in each voice part add to the depth and

Set for either a cappella mixed or treble voices, this work is exhilarating and powerful with a rhythmic drive that is most captivating for both singers and audience.

Here's an arrangement of a traditional Mexican song that will require some work, but will be well worth the effort! Set at a very fast tempo, with some tricky syncopations, complete with yips, yelps and "ai