Developing mixed and treble choirs will enjoy performing this jazz-inflected doo-wop song, written in the 1930s but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,

Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts

This accessible arrangement of the classic Duke Ellington song makes this timeless tune available to a new generation of singers. In an easy swing, this piece features ensemble scat singing, opportunities

Here is a hard-driving standard that features both your jazz combo and your choir. An extended introduction is a full one time through the form before unison chorals present the melody. A choral scat