This work was inspired by the Radcliffe Ladies' Choir and their motto, "Friendship through singing." The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direction

This haunting melody from the Italian Renaissance has been recorded most recently by Charlotte Church and Andrea Bocelli. Patrick Liebergen's setting features straightforward vocal lines, a supportive piano

"Can you hear my cries? I am calling out to you." The global community of children speaks together in this dramatic call for a better future that uses worldbeat sounds, unified chordal harmonies, and

"...I am not there; I do not sleep.  I am the thousand winds that blow.  I am the diamond glints on snow..."  Profound in its simplicity, this ever-popular text speaks to everyone, and is

Here is a fresh-sounding concert work that is perfect for developing treble or mixed choirs. With a supportive accompaniment, the music ebbs and flows with forward motion and positive energy to a powerful

"You are not alone, love will call you home." A theme of love and connection lies at the heart of this stunning piece with sentimental text of togetherness and support. A wonderful choice for finals

Kenyan composer Teddy Kalanda Harrison and his group Them Mushrooms received worldwide recognition with their platinum-certified recording of this piece. With a fun percussion accompaniment, Jacob Narverud

A tale of the sea and unrequited love is artfully set here for SSA voices. This original poem is a bittersweet cry of the heart and is supported by an impressionistic piano accompaniment. The Mermaid's

The text for My Very Heart is a combination of A Love Song by Theodosia Garrison and Du Meine Seele, Du Mein Herz by Friedrich Ruckert. Composer Laura Farnell brings these

This traditional Xhosa song could be found on the lips of many South Africans who grew up in the church. Commonly performed with Communion, the gentle lyrics express gratitude while the lightly rhythmic

Available in several voicings, Niska Banja is a Serbian Roma dance popular throughout the Balkans. To Central Europeans, the 9/8 rhythm of 2-2-2-3 is as natural as a 4/4 rock beat is in North

Create an authentic Celtic experience with your choir when you perform this arrangement of the 18th-century Irish folk song. A mixture of thoughtful rubato and energetic rhythms, an Irish-language chorus -

This a cappella piece, accompanied by simple hand percussion, is full of mystery and pulse. The steady percussion under the haunting Scottish melody creates a dance-like lilt in triple meter. The use of