This work was inspired by the Radcliffe Ladies' Choir and their motto, "Friendship through singing." The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direction

This haunting melody from the Italian Renaissance has been recorded most recently by Charlotte Church and Andrea Bocelli. Patrick Liebergen's setting features straightforward vocal lines, a supportive piano

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

This high-energy piece in a contemporary style is perfect as an opener in a concert or festival setting. Featuring a Latin text, the opening fanfare-like section leads to a contrapuntal middle section

Spirited and rhythmic, this arrangement has lots of inner fire and is easy to prepare.  It has repeated phrases, a driving piano accompaniment, and a solo spot for soprano that all combine for a

"You are not alone, love will call you home." A theme of love and connection lies at the heart of this stunning piece with sentimental text of togetherness and support. A wonderful choice for finals

This superb setting of the traditional Latin text from Psalm 100 fairly dances off the page in joy! Singable, natural-sounding mixed meter, a memorable melodic line, and a buoyant feel throughout make this

A tale of the sea and unrequited love is artfully set here for SSA voices. This original poem is a bittersweet cry of the heart and is supported by an impressionistic piano accompaniment. The Mermaid's

Available in several voicings, Niska Banja is a Serbian Roma dance popular throughout the Balkans. To Central Europeans, the 9/8 rhythm of 2-2-2-3 is as natural as a 4/4 rock beat is in North

"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the

Create an authentic Celtic experience with your choir when you perform this arrangement of the 18th-century Irish folk song. A mixture of thoughtful rubato and energetic rhythms, an Irish-language chorus -

This a cappella piece, accompanied by simple hand percussion, is full of mystery and pulse. The steady percussion under the haunting Scottish melody creates a dance-like lilt in triple meter. The use of

This spiritual tells the story of Moses leading the Israelites to safety through the parted waters of the Red Sea. This arrangement, set in a flowing 6/8 meter, features gospel and jazz style harmonies in

Combining the traditional spiritual I Want To Be Ready, a powerful piano accompaniment, and a gospel setting, this arrangement allows the singers to really dig in and sing with the full power of