Collegiate & Advanced Repertoire

The opening movement from the larger work "Missa Romantica," this gently flowing setting of the Kyrie text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in

Extracted from the third movement of the larger work "Missa Romantica," this setting of the traditional Sanctus text in Latin appears in two versions: the first is accompanied as it appears in the larger

The final movement from the larger work "Missa Romantica," this beautiful setting of the Agnus Dei text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in the

Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

The setting of this work expresses the hollowness of longing and intimacy to be with the one you love. This interpretation begins with the single tone that is followed by the two-note motive in the top

The text is a mysterious and beautiful poem by Christina Rossetti—at times dark and fathomless, and at others energetic, earth-based, and universal in its affirmation of light over darkness, and of

Commissioned by the Milwaukee Choristers, this jubilant song celebrating music incorporates changing meters and an extended harmonic language with a text by Walter de la Mare.

Part of the Henry Leck Choral Series, this very artistic setting of an old folk/cowboy song is colorful. With some unexpected dissonances, an independent piano accompaniment and parts for violin and cello,

This a cappella work features two short pieces: In Winter and I Heard a Bird Sing. A challenging soprano solo appears halfway through the first selection, supported by the choir and a

A lyrical and expressive setting with an expansive harmonic vocabulary, changing meters, and a message deserving of all to hear. Short a cappella portions contrast nicely with the accompanied sections.

This fabulous Christmas gospel choir piece includes a solo that begins in the middle and carries to the end, with some of the parts notated and some improvised. The addition of the bass, drums, and horn

This artistic and interesting setting uses a lovely text by Sara Teasdale that centers on memories of places and people. The music uses multiple meter changes, tempo changes, independent vocal lines, divisi

Triumphant and powerful, filled with dynamic rhythmic figures and a harmonic language that propel this arrangement along until the final "alleluia," this compelling piece with traditional Latin text will be

The opening movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

A lullaby that expresses to the listener through the singers and accompaniment what it was like on the night of Christ's birth - how silent and still the world must have been for just that moment. Beautiful

This work is based on the D-Day prayer that President Roosevelt delivered to the nation by radio on June 6, 1944 as the invasion of France by Allied troops was underway, and is still very relevant today as

A driving and rhythmical opening section which returns after a contrasting middle section and traditional harmonies interrupted by unexpected and powerful nontraditional chords are the compelling features

This work uses a gorgeous harmonic setting with an engaging text and a circular motif to create movement and energy throughout. There is a short soprano/mezzo soprano solo/duet and some divisi in all voices

The third movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

The second movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

The fourth movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

This choral excerpt is drawn from the last of four movements of Mendelssohn's setting of Psalm 115 (Opus 31). Largely homophonic, with some contrapuntal sections and a driving piano accompaniment. Both

While these two works share the same title and text, they are vastly different works and cannot be performed simultaneously. The SATB version is scored for mixed voices and one piano,while the SSAA version