The discovery of a lost source provides new insights into the genesis of this work and the composer's intended final form of this lyrical little piece for string orchestra. The musical material of what

Published in Prague in 1934, this is one of the few compositions that was published during the composer's lifetime. Its first performance took place in Brno on March 24, 1930. With its relative brevity and

Commissioned by the internationally acclaimed ensemble VOCES8, this beautiful a cappella selection sets a text by Charles Anthony Silvestri that speaks of the beauty and fragility of nature.

Capriccios and Exercises contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position, and many passages of double stops, all within a melodious

Contents: Allegro moderato -- Poco Adagio quasi Andante -- Rondo. With an introduction and preface in English and German. Critical commentary. Beethoven composed this sonata in 1800 for hornist Giovanni

"Oh, sometimes I get a good feeling, yeah, get a feeling that I never, never, never, never had before." In it's original form by pop artist Avicii (Tim Bergling), this is more of an electro-pop instrumental

From a new series of contemporary a cappella arrangements based on Avicii (Tim Bergling) songs comes this artfully crafted arrangement for six-part mixed or treble choir. Vocables and percussive background

Edited by Clive Brown. For violin & piano. Urtext Edition. Preface in Ger. and Eng. Including detailed information on the genesis, historical editions, and Beethoven's metronome markings. With

Resembling the form of medieval poetry, this poem from Charles Anthony Silvestri is divided into four short clear Latin verses. The first three verses offer short glimpses of Mary’s life with Jesus

Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Dvorak's String Quartet No. 10 was composed in 1879 at the request of Jean Becker. As the leader of the Florentine String Quartet, Becker was impressed with the composer's Slavonic Dances and

An arrangement for violoncello of studies originally written by one of the most significant violin tutors for the right hand. Includes foreword and valuable methodological notes by the arranger (Cz/Eng/Ger)

Edited by Wilfried Fischer & Martin Schelhaas. For violin & piano reduction. Urtext Edition. Reconstructed from BWV 1056. Score, 13 p. and part.

Edited by R. Larry Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Based on the German first edition. Includes critical commentary. Score, 6 p. and part.

A scholarly critical performing edition of Bach's great solo cello suites. Includes: one music volume with a critical report; one text volume with information on manuscripts, genesis, and performance

For SATB a cappella double choir. First printing. Libretto Charles Anthony Silvestri. World premiere by the Saint Louis Chamber Chorus on October 1, 2017 in Saint Louis, MO. Choral score, 31 p.

Edited by Andrew Talle. For solo cello. Urtext Edition. Detailed preface in Ger. and Eng. This edition, based on volume 4 of the New Bach Edition (Revised), fundamentally reassesses the

This Missa Brevis for mixed a cappella choir has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use

This a cappella work from Swedish composer Marten Jansson and Swedish poet Einar Askestad deals with sorrow and loss. After a forceful, harmonically ambiguous section and a clear break in the music, the

Telemann's 1754 chorale setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well suited to display his mastery in

Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the