Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.
A fun, syncopated spiritual for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing handclapper!
The G. Schirmer edition of the beloved chorus from Messiah is an important part of every choral library.
Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of
Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small
This a cappella setting of Matthew 18 in Spanish has attracted a lot of attention, and has already seen considerable festival activity. The English translation of the text is also shown: "Where two or three
It is impossible not to be inspired by this soul-stirring gospel original. The accompaniment is rock solid, and the choral parts are incredibly gutsy, with dramatic dynamic swells and accents that will
The river flows steady and calm in this beautiful arrangement of the traditional spiritual edited by Dan Forrest. It is impossible to ignore the underlying intensity which rises and falls as peace, love and
Omnia sol temperat, "the sun warms everything," comes from a verse of Latin found in Carmina Burana. The composer's English text speaks to the human need to anchor words of love and commitment in
Singer/songwriter Eliza Gilkyson wrote Requiem as a song of grief following the Asian tsunami in December 2004, and the song found a renewed audience after Hurricane Katrina devastated the Gulf
"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the