Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth.  Appropriate for any memorial

This work is pure magic! Short rhythmic phrases repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate for

Brimming with dynamic contrasts, rhythmic nuances and textual percussiveness, this spirital is an absolute thrill to sing and hear. "When I go to walk that golden street, nothin' gonna stumble, stumble my

Bright syncopations, mixed meter, and a contrasting slower middle section distinguish this original festival work as one of the best available. With limited vocal ranges and varied textures, it will be a

The rippling undulation of the river is portrayed in the piano accompaniment of this well-crafted setting for men’s voices of the American folk song. Sustained phrases and long open vowels make this

Deeply expressive, an old poem is treated with rich harmonies to become a moving closer for concerts or festivals. Written with an ear to the a cappella glee club tradition, the incorporation of Dvorak's

With insightful program notes, an easy-to-read pronunciation guide, notes on using the percussion, and an elegant score, here is a wonderful introduction for your tenor-bass choir to sing a high-energy folk

"Sorida" is a term of greeting in the Shona language of Zimbabwe, similar to "shalom" in Hebrew or "jambo" in Swahili. This massive original work features six percussion instruments, layered divisi vocal

Images of courage, honor and bravery abound in this moving and valiant setting of selected lines from Alfred, Lord Tennyson's Ulysses. A powerful accompaniment supports the solid, artful choral