The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

This high-energy piece in a contemporary style is perfect as an opener in a concert or festival setting. Featuring a Latin text, the opening fanfare-like section leads to a contrapuntal middle section

If you have a very talented choir looking for a challenge, this is an absolutely "must do" spiritual! The use of the many variants of the text allows the music to maximize the use of gospel-style

"Homeland, the country that I love, hold out your arms to me. I strive for you, and give you the best I hope to be." This soaring melody, Jupiter from "The Planets," is presented with all the

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

A contemporary setting of a familiar Latin text, this concert work is ideal for your advanced ensemble. Melismatic lines contrast with strong harmonic moments in this Renaissance-style motet.

"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the

Floating suspensions and understated piano lines characterize Randall Stroope's haunting setting of the beautiful Christmas text from the 15th century. Scored for treble voices, piano and oboe, it is a