This peaceful Hanukkah original warmly counts each menorah candle, recognizing the nights of the meaningful holiday. Conservative ranges, manageable phrase lengths, and foundational part singing techniques
A minimum quantity of 5 is required on this title.
"How much wood could a woodchuck chuck if a woodchuck could chuck wood?" Posing this tongue twister and age-old question, this humorous piece features simple body percussion and unison lines that repeat in
A minimum quantity of 8 is required on this title.
You probably know what it is, but do you know how to make it? This delicious piece spells it all out in a playful, original canon for mixed, treble, or tenor-bass ensembles. Prepared with old English flair,
This exuberant original will make an excellent fanfare or processional for Christmas concerts or services. The call-and-response style is easy to learn and lends itself to antiphonal performance. The text
A simple setting that elegantly portrays the serenity of winter, this contemplative piece is accessible and enjoyable to sing.
"If I can't be close to you, I'll settle for the ghost of you." Justin Bieber's tribute to a lost loved one topped Billboard charts around the world. This acoustic-inspired arrangement features light pop
"Black as the midnight, and white as the snow; gold as the sunshine, my cat of calico." This folk song styled original features easy-to-sing harmonic patterns and a tongue twisting patter text that tells
Rachel Field's poem is set to a simply elegant melody that matches the tone of the text as it expresses the change from fall to winter. Ample unison lines are lyrical and expressive, giving time to work on
Like a contemporary lullaby, this tender original work ushers in the sights and sounds of the setting of the sun. With a beautiful, lyrical melody, gentle harmonies, and a simple yet effective
Robert Frost's famous poem is the perfect backdrop for a winter-themed concert work. The minor key illuminates the vivid imagery of the text, and the easy-to-learn harmonies in thirds fit together perfectly
In case you had any doubt, the Broadway musical adaptation of "Elf" brings us an adorable answer to that classic Christmas question. Upbeat and fun, the festive lyrics and jubilant score are sure to delight
"Winding road, western wind, golden moon, silver stars... take me home." Here's a folk-inspired lyrical original that is a beautiful choice for treble choirs. The tuneful melody is memorable, and the gentle
"I have a song within my heart." This simple song is a quick learn for young choirs. Ample unison singing, easy harmonies, and a canon setting - this quickly stacks up to sound impressive.
From the first note of the pulsating piano to the final statement of the infectious motive, this work grabs you and won't let you go! Filled with soulful harmonies and spirited melodic lines, it captures
In a melodic and flowing 6/8, this original concert work pairs expressive music with lyrics that remind us that though things may not seem to always make sense, everything has a time and place. An ideal
A gentle ode to heavenly stars and falling snow, this original winter-themed work paints a peaceful scene with delicate vocal lines and an ethereal piano accompaniment. Very easily learned, it features the
Optional drum and tambourine parts enhance this madrigal-influenced tune that would make a festive processional for your holiday concert or madrigal dinner. Well-crafted vocal parts are easy to learn and
"The wind is cold, the branches bare, but hearts are warm and bright. For there is peace and hope to share this wondrous winter night." This heartwarming canon is characterized by a simple, small-range
This canon on the famous text from Ecclesiastes ("Vanity, vanity, all is vanity") was published by the Dutch composer in 1619, originally a part of his larger work Cantiones sacrae. This
"Though we are small, we are meant to break free and bloom." Carefully crafted for developing voices, this lovely concert piece features unison singing, accessible harmony, and a relevant message that sets
A combination of the traditional Lesotho lullaby and original words and music, this arrangement pairs a simple African text with English lyrics. All parts sing in unison first, laying the groundwork for the
Using the traditional Agnus Dei text, this expressive setting provides an opportunity to work on choral tone, rubato, and legato singing. A rich melody ebbs and flows over the colorful harmonic palette
Christina Rossetti's charming poem is set for two- or three-part treble voices of any age. The polyphonic choral writing is simple yet sophisticated, colorful yet clear. A lovely choice for developing