Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's
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This earnest, haunting setting of the familiar Latin text includes sensitive, skillful part-writing and seamless interplay between the voices and accompaniment. An outstanding piece for a mixed choir of any
The traditional Latin text of this hymn for Christmas Vespers is set in wondrously crafted work for divisi chorus with tenor soloist, accompanied by solo violin and cello. Shimmering with beauty and
The well-loved ancient chant is transported into the 21st century in this masterful setting, slowly unfolding layer after layer of beauty, and gradually adding vocal polyphony over an ethereal piano
The opening movement from the larger work "Illuminare" set on Saint Ambrose's Latin text radiates majestic energy that heralds the arrival of Light and a joyful "Gloriae" section. A brief contrasting
Beautifully capturing the essence of a traditional Gaelic blessing, this original setting evokes the natural tranquility of a "gentle night" where the "moon and stars pour their healing light on you." The