Now available for mixed groups, this lively Cuban folk song is a fusion of the music of the Spanish farmers with the enslaved Africans brought to the island. It is a lighthearted song about fishing for
With a Hebrew text, use of the augmented second interval and melodic formulas common to Hasidic and Middle Eastern music, and the use of traditional folk instruments, this original song has a completely
This a cappella Celtic Woman song is a sensitive, tender reflection of the love between two people and their gratefulness for each other. A wonderful tribute to love! "In the morning when you rise, I bless
Building on the heritage of the great arrangements of Jester Hairston and Moses Hogan, Rollo Dilworth has created his own unique approach to the traditional spiritual. Through layering of motivic material
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This popular worship song from Kenya can be performed in a variety of ways: by adding movement while singing, incorporating percussion instruments into the performance, or as a processional. Opening with a
This serene, expressive setting of an E.E. Cummings poem is ideal for women's ensembles. "i am never without you (anywhere i go you go, and whatever is done by only me is your doing, darling) for i carry
Ed Lojeski's arrangement of Java Jive still grooves with an infectious style that will inject a light moment into any concert.
Introduce your students to the famous sixteenth-century French chanson with this excellent edition by John Leavitt. French and English texts are included, with a detailed pronunciation guide. Also
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From the Mozart "Missa Brevis K.275," this delightful work has been adapted for treble voices. An excellent introduction to Classical-era style and performance practice, for better treble choirs.
An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a
This is a classic a cappella Kirby Shaw setting of a Gershwin ballad. Love Is Here to Stay appeared, perhaps most memorably, in the 1951 MGM picture "An American in Paris," for which it served as