Part of Donald Patriquin's World Music Suite. The suite has six different octavos published for children's voices: Cabbage-Tree Hat; Taivas on Sininen; The Stuttering Lovers; Ach! Synku Synku;
In this a cappella setting by Swiss composer Ivo Antognini, the theme is presented three times, each with small variations. The melody is very singable, and at some moments sounds quite similar to gregorian
This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest
Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.
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Written in the modern folk style, composer Allen Koepke has provided an inspirational, allegorical text that is sure to delight. The piano lends dramatic support to the finely styled vocal parts. A frequent
Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her
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Jude Roldan is pianist/composer for the world famous Philipino, Hail Mary the Queen Children's Choir, directed by his wife, Maria Therersa Vizconde-Roldan.
Here is a marvelous edition of this 16th-century work tailored for school choirs. Sung in Latin throughout, it may be performed a cappella or with the optional keyboard accompaniment. Either way, the
A plaintive opening expands into lush four-part harmony in this compelling a cappella concert selection. Meditative and earnest, Sally's glorious setting of the prayerful text will inspire your finest
From Op. 65, No. 1. Originally scored for Duet or 2 part female chorus with organ, this arrangement is for SA voices with keyboard.