This original work sets a well-known Emily Bronte poem in a lyric song style. Flowing vocal lines and rich musical colors offer choirs many opportunities for expressive singing. The SATB version is adapted
Singers in developing choirs will love the excitement of this vibrant, rhythmically driven concert or contest title. The more lyrical middle section nicely contrasts the excitement of the syncopated opening
Inspired by the memories of childhood summers spent in the Irish countryside, Yeats' poem provides a whimsical backdrop to this original concert work. With a gentle, lilting folk-song feeling, this piece
Inspired by Bach's Cello Suite No. 1, this beautiful setting stretches over the well-known accompaniment with lyrical lines and five simple Latin words. Independent melodies are introduced one at a time and
This sweet setting of the famous Scottish folk song generously passes the melody from voice to voice while gently stretching the traditional rhythms of the piece. Piano players will enjoy the flowing
This tender setting of a tuneful Welsh folk song, a lament of love now lost, features comfortable ranges in all parts and an artful piano accompaniment with optional cello. "Soft winds of evening your sweet
Radiating the joy and hope that come with each new day, this lilting original concert work honors our collective experience singing together. A whimsical optional flute part adds to the character of the
Celebrate creativity with this joyful piece! Shimmering piano tremolo chords usher in the opening theme that climbs up a series of fourths to create an open, soaring feeling. Mostly unison choral phrases
Here's a beloved American spiritual, sensitively prepared for concert or service use. The familiar strophic melody and expressive tempo markings stretch on each phrase and suggest more motion when the text
"Though you bind it to the blowing wind and you buckle it to the moon, the night will slip away like a sorrow or a tune." The poetry of Eleanor Farjeon is so evocative, and this setting is an excellent
This luscious and sensitive setting of the traditional Latin text exudes a gentle simplicity, with soaring melodic lines and a fluid accompaniment. A pronunciation and translation guide is provided.
Gentle forward motion and soaring melodic lines create a unique interpretation of this popular traditional text. Contrasting legato vocal lines with a flowing eighth-note-driven piano part come together in
Celebrate spring with this delightful folk-like original. The colorful refrain brings to life the joy and rebirth of springtime: "Oh, spring has returned with a bursting of blossoms, with dancing and
"Sing to me! Something of sunlight and bloom..." An uplifting text by Ella Wheeler Wilcox is set to charming music in this wonderful piece with melodic interest in all parts and conservative ranges.
An optional flute obbligato floats above treble voices in this lyrical setting of the famous poem by Thomas Hood. The text provides a good conversation point for teaching, while the well-written vocal parts
"There is no frigate like a book" and "I never saw a moor": two short pieces with inspirational texts are set to music with great artistic flair. The first piece is in unison, the second in two parts.
"We sing out a jubilant song. Our spirits are free." The soaring vocals are within reach of large and small choirs, and a dazzling piano part enlivens the musical landscape throughout its pages. The joy of
"Yet one thing I can tell you, still one thing that I know: Wherever fortune calls me, then that's where I must go!" A bold statement of the courage to persevere and to follow one's heart against all odds