Utilizing a Brazilian folk song and three separate countermelodies, this delightful piece is full of good humor! The rhythm and melody capture the flavor of the Brazilian culture, and tambourine, maracas,
Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest
A perennial festival favorite, this tender Appalachian folk melody is given an artistic setting and wonderful piano accompaniment all the while maintaining the traditional folk flavor of the song. Not to be
The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male
Though it appears on his celebrated Winter Songs album, this haunting work for treble choirs will be a beautiful addition to your program at any time of year. The setting of an Emily Bronte text features a
Premiered at Lincoln Center, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130. Somewhat reminiscent of Carl Orff's "Carmina Burana," it is truly a striking
This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.
This exciting mixed-meter piece is excerpted from Kim Andre Arnesen's "Magnificat." The composer has the voices in unison, two parts and four parts throughout. This variety keeps the excitement going. While
"All we are we have found in song" is the first line of this stunningly beautiful poem by Euan Tait, set to music by Norwegian composer Kim Andre Arnesen. This romantic notion is woven throughout
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Part of The King's Singers choral series, this entertaining arrangement gives an added dimension to the well known Shaker tune. Bob Chilcott's lyric counterlines are sophisticated and fun for both mixed and