A true masterpiece for a cappella chorus. The name Randall Thompson is as much a part of choral music as is the voice. Once you've mastered this, you'll have truly stunning performance piece. His masterful

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

Now all choirs can enjoy this famous hymn tune arranged by Alice Parker, originally written for the Robert Shaw Chorale. The strong walking pulse and juxtaposed motives have made it exceptionally popular

This festival choral piece is pure energy! A driving, punctuated piano part accompanies the solidly built choral harmonies to create a dynamic concert opener for tenor-bass choirs. Also available for mixed

This Shaw–Parker edition has become a staple in choral programs and libraries throughout the world. Victoria's masterwork is a stellar example of 16th-century polyphony.

"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the

"There will be rest, and sure stars shining over the rooftops crowned with snow, a reign of rest, serene forgetting, the music of stillness holy and low." This masterful setting of Sara Teasdale's

First written as the bright, opening movement of Heavenly Home: Three American Songs, this enduring gospel favorite is set with a straightforward first verse and chorus. The next two verses combine