Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

Exuding sizzling, rhythmic energy, this traditional South African folk song arrangement is a multicultural programming winner! A cappella, with percussion parts included for shakers, djembe, and hand drum

Vibrant rhythms, accessible vocal ranges, and fun-to-sing syncopated melodies highlight this concert or festival selection for developing tenor-bass choirs. A 6/8 lilting meter and Latin text (pronunciation

Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for

Luscious harmonies, fluid melodies, and a rich piano accompaniment all come together in this inspiring and uplifting original work for mixed chorus. Emotive and so musical at every phrase, this is an

The melody of this beautiful Irish air spans an interval of a 12th. Here, it is skillfully arranged with the melody passed back and forth between the voice parts, with all parts being important to the full

Sara Teasdale's text is superbly set in a steady and flowing concert work. Musically satisfying yet accessible, this arrangement features diverse part-writing, close harmonies, and wonderful examples of

Expressing a powerful message of hope for a better world, this dynamic piece strikes a universal chord for all to hear! The quiet and subdued opening gradually builds to a dramatic musical statement using

This excerpt from Vivaldi's "Gloria" is specially arranged to meet the needs of the developing singer. An intelligent choice for teaching phrasing and other stylistic features of the Baroque period, this

The upbeat swing treatment of this well-known spiritual contains carefully planned voice leading with some optional divisi and a supportive accompaniment. Artful chord voicings effectively showcase the rich

Stephen Foster songs give us the opportunity to teach about American history and culture while exploring the style and musical expression presented in his artful melodies. This text, in particular, is so

"If you can dream and not make dreams your master; if you can think and not make thoughts your aim..." There is no more appropriate text for choral singing than this famous Rudyard Kipling poem, and Linda

Opening with "Keep your lamps trimmed and burning!" as a dramatic rubato statement, this incredibly creative arrangement then kicks into a driving, rhythmically intense feel that never lets up!  A most