Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

This celebratory work is solid and rhythmic, featuring a driving accompaniment that helps to fuel the excitement. With options to feature a small ensemble or solo throughout its development, this piece will

If you are looking for a dramatic concert/festival work, be sure to look at this one! The glory of music is treated with great depth and musical-textual imagery in this deeply moving selection, which offers

This exquisite combination of a text based on Psalm 128:1 and the excellent choral writing of Richard Ewer will amply display both choral musicianship and beautiful singing. Beati Omnes is a

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

This is a real find for a cappella voices! Phrases of "vocal bagpipes," in which the voices imitate the sound of bagpipes, create an amazing effect as they set the proper mood for one of the most beautiful

This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.

Recently celebrating its 50th year in print, this breathtaking choral essay is simply one of the finest choices for Advent or general services with a text based on Revelations 22. Conceived for a

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth.  Appropriate for any memorial

These intimate and comforting lines of Elizabeth Bishop's sonnet are set to music that is reflective, lush, and lyrical, with the text always foremost. Originally written for SATB chorus, this voicing for