Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.

A fun, syncopated spiritual for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing handclapper!

This Shakespearean text is explored in the remarkable Rutter style, giving you an ideal selection for your winter concert or any other performance occasion.

Pure energy from start to finish, this dynamic original incorporates both Latin and English lyrics, which are brought to life by the toccata-like piano accompaniment. Vocal layering is a key sectional

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

A long-time favorite on the festival circuit, this dynamic, exciting, joyous selection surpasses the ordinary! Syncopated rhythms and changing meters, combined with a sizzling piano part, make this a

Equally at home in church or school, this spiritual in a traditional format is a musician's delight. Marked "very broad and legato throughout," duets between the tenors and basses in the second verse and

John Rutter's arrangement of the familiar carol Good Ale, which was originally published as part of his cycle of six choral settings with small orchestra When Icicles Hang, is full of

Now all choirs can enjoy this famous hymn tune arranged by Alice Parker, originally written for the Robert Shaw Chorale. The strong walking pulse and juxtaposed motives have made it exceptionally popular