A beautifully evocative and sizzling work based on bossa nova and tango rhythms. While at first sounding as two distinct movements, the characteristic dances gradually intertwine to create a uniquely

From the pen of Lauren Bernofsky comes a truly unique contribution to the trombone repertoire - music expressing the joys and challenges of parenthood, through a mother’s eyes. From a

For trombone & piano. Custom print edition. Dedicated to Yu Tamaki Hoso. One movement. Score, 20 p. and part.

For bass trombone & piano. Custom print edition. Commissioned by the Green Box Arts Festival 2019. Dedicated to the Jeremy Van Hoy and Jonathan Ovalle. Three movements. Score, 21 p. and parts.

Stormy, Husky, Brawling takes its name from the fourth line of the poem Chicago, written by Carl Sandburg in 1916 when Chicago was the heart of the meatpacking and railroad industries.

A beautiful cantabile song without words, A Song from the Heart has all of Ewazen's expressive elegance and is a perfect recital piece both for students and professionals. Originally composed for

Says Ewazen, "The work is scored for two combined ensembles — an 8-part low brass ensemble of trombones, euphoniums, and tubas, and an 8-part percussion ensemble of both mallet and non-pitched

For trombone & piano. First printing. Written in 2009 for Deb Scott and Ron Petti. Three movements: Lajitas; The Sentinel and Rockslide. Score, 23 p. and part.

For bass trombone & piano. Originally for bass voice. First edition, custom print. This edition was premiered at the International Trombone Association Festival at Ithaca College. Poetry by Edna St.

For 8 trombones. First printing. Set of parts available separately. Duration: ca. 10'. Score and parts.

A beautifully evocative and sizzling work based on Bossa Nova and Tango rhythms. While at first sounding as two distinct movements, the characteristic dances gradually intertwine to create a uniquely

For the massive trees of Sequoia National Park, Lias chose the absolute sonority of the trombone choir to describe the awe-inspiring sight of the giant redwoods in person.

This fiendishly virtuosic concert piece was written for trombonist Brian Diehl 1994. There are two main types of music, one in the lower range, with quick, tongued notes, and the other a "limping" waltz in

This is a straightforward yet beautiful arrangement of the famous tune.  It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.

Opening with a powerful statement for the trombone's soaring tone, this concerto also explores the delicate and playful aspects of the trombone. Version for trombone and string orchestra is available on

For solo tenor trombone, solo bass trombone & piano reduction. First edition, custom print. A version for trombone octet is also available. Score and parts.