This collection of essential flute solo music was selected and edited by legendary flute artist and teacher Sir James Galway. This volume contains these works by Philippe Gaubert: Fantaisie;

This tango was written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many

Edited by the International Clarinet Association's former pedagogy chair Paula Corley, this delightful recital piece for clarinet and piano begins with rubato flourishes in the introduction. The theme is a

Here's a rousing pasadoble, which is a stately Spanish march style arranged for clarinet, piano, and optional castinets by Paula Corley, former Pedagogy Chair for the International Clarinet Association.

Four Short Pieces was composed in 1912 and was originally written for violin or cello with piano. A number of recordings exist for these combinations as well as a version for flute and piano. This

The songs in this collection were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish melodies. The

Well-known Japanese saxophonist, Masato Kumoi, commissioned this work after hearing composer Yukiko Nishimura's popular band work, Star Ship.  His request was for a new solo alto saxophone and band

Edited by Tristan Willems. For alto saxophone & piano reduction. A concerto in three movements. Weinberger composed this work in 1940, and revised and orchestrated it in 1946. Score, 28 p. and part.

Originally composed by Cimarosa for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flute and oboe.

Using the most efficient way to learn the basics of oboe playing, this comprehensive collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels.

This collection of works for flute and piano is edited by one of the world's foremost authorities on the Classical flute repertoire, Sir James Galway. The edition include Galway's own performance notes and

Charles Le Thieree's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from

Ideal for the intermediate flutist, Emil Titl's Serenade showcases the lyrical tone quality of the flute with long melodic phrases punctuated with delightful ornamentation. In a fluid

This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory, meticulously compiled, arranged and edited over the course of many years by accomplished

This collection of etudes was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing.

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra. His fondness for good tunes, with which the Gilbert and Sullivan operettas

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra, which later became English National Opera. His fondness for good tunes, with

Paul Wetzger's Am Waldesbach (By the Forest Brook), ideally for flute and orchestra or piano, was a staple of celebrated flutist Marcel Moyse. Since then, it has become a favorite in the flute

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra, which later became English National Opera. His fondness for good tunes, with

Adapted and based on themes from the Ambroise Thomas opera Mignon, this Paul Taffanel work is a firmly established part of the modern flute repertoire. This new Southern publication features Sir