For flute. First printing. Also available in versions for English horn, violin, and viola. Four short pieces. With program and biographical notes. Dedicated to Catherine Gregory. Composed early in the

For strings. Four movements. Dedicated to the Attacca Quartet. Score, 47 p. and parts.

A one-movement work composed for solo violin. Performance time c. 9:15.

For flute, clarinet, violin, cello & piano. First printing. In movement. Written in honor of the 45th anniversary of the Da Capo Chamber Players. Dedicated to the memory of Ursula Mamlok. Score, 16 p.

A string quartet in one movement. With a preface by David Fanning, and a biographical note by Per Skans, in Ger. and Eng. Dedicated to the Borodin String Quartet. Score, 24 p.

Orchestrated by Jose Serebrier. For cello octet. First printing. From Six Romances, Op. 6. With a program note. Duration: ca. 4'. Score, 5 p.

Edited by David G. Porter. Preface by J. Peter Burkholder, and performance notes. This version for string quartet probably dates from the first years of the 20th century. This edition is based primarily on

For violin & piano. In one movement. Score, 7 p. and part.

For string quartet. In one movement. Dedicated to the Cuarteto Latinoamericano. Score, 28 p. and parts.

For violin, viola, cello, double bass & piano. First printing. Titles: Fanfare; Shattered Mirror-A Self Portrait and The Music Box. With a biographical note. Of advanced difficulty.

Contents: I. Catchword: A Modernist's Dilemma -- II. Intervention: Une Musique Informelle -- III. Catchword: An Oriental(ist) Model -- IV. Intervention: A Dialectical Synthesis. With program, performance

For cello & piano. First printing. Three movement work. Premiered at Copland House at Merestead in May, 2019. Duration: ca. 14'. Score, 36 p. and part.

Many of Miguel del Aguila's works reflect on South America and its history. Here he evokes the timbre of the charango, a lute-like Andean stringed instrument that is represented in the piano part. The

For narrator, violin & piano. First printing. One movement work. Composed in 1953 for The Lyric Trio. Includes program and biographical notes. Score, 18 p. and parts.

For narrator, violin & piano. First printing. Text by Rudyard Kipling. Composed in 1959 for The Lyric Trio. Includes program and biographical notes. Score, 13 p. and parts.

For string quartet & piano. First printing. One movement. Originally commissioned by the Buffalo Philharmonic Orchestra for principal cellist Roman Mekinulov. Includes program notes. Duration: ca. 19'.

For narrator, violin & piano. First printing. Text by Hans Christian Andersen. Composed in 1950 for The Lyric Trio. One movement. Score, 11 p. and parts.

For cello & piano. First printing. One movement. Score, 12 p. and part.

First published in 1982, but out of print for many years, this new edition of Swinging Texas Fiddlin' contains all the old tunes, as well as Tiny Moore's commentary, found in the original publication. It

For cello & piano. First printing. Commissioned by the Buffalo Philharmonic Orchestra. Premiered in Buffalo, May 2014. One movement work. Includes program notes. Duration: ca. 19'. Score, 30 p. and

Edited by Malcolm Goldstein. Composed between 1911 and 1913. This edition is based on the composer's own pencil sketch, and corrects many errors from previous editions. Includes a preface, performance