With a host of accessible, quality new settings, and with pieces based on all the major hymn tunes, these volumes are a must for every church organist's library. Volume 2 contains 40 original settings from

Presenting a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works, this volume highlights the offerings of women organists who, for various reaasons,

This is the first of two books of short preludes and fugues for solo organ by Howard Skempton. Each book comprises 25 pairs of preludes and fugues based around the 24 major and minor keys with an additional

With a host of accessible, quality new settings, and with pieces based on all the major hymn tunes, these volumes are a must for every church organist's library. Volume 1 contains 40 settings from ABBOT'S

This second volume comprises a diverse collection of seasonal organ music covering the church year from Advent to Epiphany. The music is stylistically varied, and the pieces are drawn internationally from

"Sparkling" is a good description of the effervescent toccata-like figurations and striking harmonies in this piece. The venerable plainsong theme appears in longer note values either in the pedal or at the

This exciting piece was composed as a television theme in 1959. Like an Elgar Pomp and Circumstance march, it alternates punchy fanfare textures with a warm and supremely "English" melody.

This virtuosic transcription will make a thrilling voluntary or recital piece. After a characteristic opening fanfare, a broad Elgarian theme takes the spotlight; the central section is a bustling fugue

This superb volume contains twelve transcriptions of orchestral, piano, and vocal originals, including works by Delibes, Gounod, Grieg, Eric Coates, and Madeleine Dring, arranged with a finely honed sense

In this organ voluntary, Skempton has crafted a wash of melting lines using his distinctive harmonic language. Affirmation expands from a singular note into undulating four- and five-part textures.

This exciting work for solo organ features exuberant rhythms that prevail in the outer sections (including a playful reference to Walton's Crown Imperial), framing more pensive music at the centre

Arranged by the composer himself, this organ arrangement of one of Rutter's best-loved choral works is now available to play as a gently expressive interlude or voluntary. Requiring at least a two-manual

Written in 1889 for the newspaper's essay-writing competition award ceremony, this famous march very swiftly gained the wide popularity it has retained to this day. Robert Gower's well-crafted and playable