An original composition based on a deeply moving Samuel Rutherford text about the loss of a loved one. Though a star may be out of sight, it still shines. The addition of the cello makes this a

This uplifting congregational hymn celebrates the gathering of God's people, especially after a time apart. Separate verses may be used for different service occasions: communion, baptism, peace of Christ,

Adapted from Psalm 103, this accessible and joyful setting is useful throughout the church year. Solid three-part writing with limited range for the bass part makes this a great choice for slim Sundays or

An a cappella setting of this lovely text first appeared in the Book of Hours (1541.) This setting features lovely flowing vocal lines, independent yet blending, that culminate in a rich, homophonic

Your choir will enjoy this accessible anthem that celebrates the beauty of creation using a classic Beethoven composition (op. 48, no. 4). The music is joyful and bright with all the expression that you

This is a thoughtful and comprehensive source of Advent responses. It is structured under five varied themes, each having a candle-lighting song and some sort of specific litany or response.

Very quiet and reverent, this setting of SILENT NIGHT was recorded by the National Lutheran Choir. Scored for SATB voices, it opens with harp (optional piano) accompaniment. The organ joins on verse two,

Recorded by the National Lutheran Choir, this carol setting involves the congregation, SATB choir, and organ. Verses two and three may be sung a cappella with brilliant organ interludes before building to a

Burkhardt's settings always have a sense of fun and are certainly not boring for the organist! This version of the hymn tune MARION is no exception. Seven full stanzas, two choral stanzas, a

George Matheson's beloved text is set to new music that allows the words to flow naturally and expressively. The French horn adds a lyrical counterpoint that rises to evoke hope and comfort. The vocal

A lilting 6/8 setting of Psalm 103, this is scored for SATB voices, descant, and congregation, with piano and optional 3-5 octave handbells. First the choir sings the antiphon and the congregation copies

The classic benediction text based upon Numbers 6:24-26 is paired with new music scored for SATB divisi voices, flute, and piano. Interweaving motifs provide a lovely interplay. It is mostly homophonic

This anthem can be performed with or without keyboard accompaniment. Conceived for a small but capable choir, larger choirs will find it appealing and useful as well. Using the familiar text

In this ebulliant anthem, the florid accompaniment is full of baroque-like sixteenth notes and the choir part is joyful and approachable. The composer provides both an organ part in the

A swinging, light gospel feel pervades this setting of the well-known text with new music by the composer. The unaccompanied choir backs up the soloist's melody. This has a familiar feel and is very

Written for the Houston Children's Chorus, this spirited Mag and Nunc are thematically related despite their varying moods (Resolute, Comforting, Energetic). The difficulty level comes from

Kenneth Dake has imagined a glorious a cappella setting of the traditional hymn in a slow 6/8 meter. The vocal lines require eight-part divisi, but the gorgeous colors are worth the effort. 

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

The traditional carol text is set to lively new music for SATB voices accompanied by a dance-like organ accompaniment. The vocal texture is simply scored and varied by verse, united by delightful refrains

A Christmas lullaby carol in triple meter with a sweet melody, this piece is scored for SATB voices accompanied by piano and violin or chamber ensemble. The choral texture varies by verse, with verses one

An outburst of pure joy for SSAA voices and handbells (2 octaves), the text  alternates "Hodie Christus Est" with the title and Alleluias. In a fast 6/8 after the opening declamatory

This charming Christmas anthem pairs an 1866 text with a fresh new tune. The restrained piano part complements and supports the very approachable vocal texture. Subtle yet gorgeous key changes distinguish

The haunting hymn tune STAR IN THE EAST is set to a new text by the composer that references Reginald Heber's Brightest and Best of the Star of the Morning. The violin adds a folk-like quality at

An original chant-like tune is used for the opening section, singing the Latin text "Veni, veni, Rex Gentium." Then the cello takes that melody as the choir sings the VENI EMMANUEL tune with English text.