Selected and arranged by professional flutist/educator Amy Kempton and edited by Carl Strommen, these Grade 6 editions will become valuable additions to the piccolo
This arrangement of the classic Oboe Quartet in F, K. 370 by Wolfgang Amadeus Mozart is a must-have for the grade 6 piccolo soloist. Arranged by expert flutist Amy Kempton and edited by Carl
This beautiful work by Johann Sebastian Bach may now be enjoyed by level 6 trombonists. Practicing and performing Bach's music can be the beginning of mastering the technique of the instrument.
Big Mouth kicks at the beginning and never lets up! If you like Jeff's Critical Mass, Honk, Old School, and Mohave Breakdown, then you've got to check this one out! Written
Commissioned by the jazz division of the Illinois Music Educators Association for the 2020 Illinois All-State Jazz Ensemble, this Adam Larson multidimensional swing composition provides musical challenges
This edition for tenor trombone requires a skilled trombonist who possesses great dexterity with the slide. The tessitura has been carefully altered so that it falls within a range that is more suitable for
Little Pixie II was originally commissioned by Count Basie for an entire album of Thad Jones' music; however, Basie never made the record, instead suggesting that Thad start his own band.
As recorded by the Thad Jones-Mel Lewis Orchestra on their Central Park North album, this great collaboration between band member Jerome Richardson and Thad Jones has become an established standard for
Recorded by the Thad Jones-Mel Lewis Orchestra on the album The Jazz Orchestra, This energetic adventure for capable bands is a series of alternating ensemble and solo sections for trumpet and
This Thad Jones chart was originally commissioned by Count Basie for an entire album of Thad Jones' music; however, Basie never made the record, instead suggesting that Thad start his own band. Low
Big Dipper was originally commissioned by Count Basie for an entire album of Thad Jones' music; however, Basie never made the record, instead suggesting that Thad start his own band. Big
Along with Big Dipper, Don't Git Sassy is one of the most familiar charts from the Thad Jones-Mel Lewis Orchestra's repertoire. As recorded on their Live at the Village Vanguard album, this
As recorded by the Thad Jones-Mel Lewis Orchestra on the album New Life, Cherry Juice is a fast swing opus beginning with a full band statement and a short piano solo before the flugelhorn soloist
Matt Harris' funky rock tune includes conservative ranges, fully notated rhythm section parts, and repetitive rhythms, making it playable by advancing groups through professionals. The piano has a solo
Trumpet players will enjoy playing this collection of 30 classical duets. Written at the Grade 4-6 level, selections are included by J.S. Bach, Handel, Vivaldi, Mozart, Beethoven, Schubert, Bizet, Dvorak,
This innovative book of 28 advanced-level etudes includes a variety of different styles, concentrating on technique in a challenging and musical way. Endorsed by Thomas Gansch, Tim Morrison, Rex Richardson,
This addition to the Grade 6 repertoire for trombone and baritone, edited by trombone legend John Marcellus, will instantly become a classic for years to come. This piece was originally a concerto for oboe
This collection of 15 pieces includes a wide variety of music from the Baroque era, adapted as two-, three- and four-mallet marimba solos. Each piece contains its own technical and musical challenges, as
A tour-de-force for advanced groups, this 2015 Grammy-nominated arrangement is the original Stephen Foster waltz refitted as a medium-bright samba in 4/4 time. Featuring a smooth and lyrical melody over a
Bob Washut's Beneath the Mask is a very enjoyable, somewhat ECM-style chart for proficient groups that features an even-eighth jazz waltz style that highlights lead alto and guitar
As recorded by the Thad Jones-Mel Lewis Orchestra on their Live at the Village Vanguard album, this spirited shuffle puts proficient bands through the paces. Articulations and rhythms must be played
This arrangement of Blazhevich's Concerto No. 2 will be challenging and rewarding to prepare and perform. The keys offer the player ample opportunity to use alternate positions which help develop
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This set of eight challenging solos is based upon the orchestral style of snare drum performance. While abundant accents and dynamic changes are provided in every selection, sticking indications have been