Written in 1983 for Marilyn Mead, who won the International Artist's Competition in New York that year. She was granted a full recital in Carnegie Hall (Stern Auditorium) where it premiered to fine reviews.

Of his Chimera Waltzes (2016), John David Earnest writes, "My goal was to link together ideas from completely different sources, in the same way that the chimera of ancient mythology were hybrid creatures

A collection of four Christmas carols from the British Isles, arranged for flute and keyboard. The first, From Heaven High, is a Scottish carol, featuring quietly flowing motion and

These brief movements for solo flute are each based directly upon three lovely Christmas church melodies from the 14th, 13th, and 15th centuries, respectively. The original melodies are associated with

Arirang is considered the unofficial national anthem of South Korea. This setting for flute and piano features three distinct sections: a gentle and reflective beginning, a flowing and lyrical

An exceptional collection of three American Christmas songs for flute and organ (or piano). The first, Hail the Blest Morn, is a Kentucky folk song featuring modal harmonies and a gentle,

A great choice for concerts and recitals. This delightful set of intermediate pieces for flute and piano features the following movement titles: A Folk Tune; A Waltz and A Tango.

This three-movement work is composed in a readily accessible tonal style. Colorful harmonies and concise structural elements highlight each movement. Melodic lyricism is a constant characteristic

For contrabass flute & piano. First printing. Originally composed in 1984 as the title Of All the Souls That Stand Create, for baritone and piano. This same melody was used here and

This charming little set of easy pieces for flute and piano features three self-explanatory titles. The writing is very idiomatic for both players. Includes score and flute part. Titles include: The

This delightful set of intermediate pieces for flute and piano features three titles. Each one evokes the mood of the places being described by use of tone painting. Includes score and flute part. Titles

" This piece deals with a friendly tug-of-war between diatonic and chromatic music. The theme one hears  in both the Prelude and the Fughetta is based on letters from the name of the