A collection of four songs for high voice and piano, these 'Wing' songs are inspired by the many characters of birds portrayed in poetry and folksongs. The tiny swallow is a mournful bird, weeping in

These marches make excellent processionals, recessionals, and postludes. March in C Major and March in Eb Major are very accessible, while March in D Major offers more

This suite for organ solo looks back at Baroque forms in a contemporary manner. The first movement, Sinfonia, is based on the Advent chorale NUN KOMM, DER HEIDEN HEILAND (Savior of the Nations,

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this triumphant aria about the hope of love is scored for tenor and piano.

Written in 1983 for Marilyn Mead, who won the International Artist's Competition in New York that year. She was granted a full recital in Carnegie Hall (Stern Auditorium) where it premiered to fine reviews.

Two arias from the Western opera "Riders of the Purple Sage" are included in this score for bass or baritone and piano: Ballad of Milly Erne and The Gun Song.

Two arias from the Western opera "Riders of the Purple Sage" are included in this score for mezzo-soprano and piano: Bess's Aria; Who Is This Man? and Jane's Aria.

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this aria is scored for baritone and piano.

Jessie Anderson Chase's short story The Old Things, one of 81 prizewinners in the collection Short Stories from Life, is the basis for this libretto of the same name. The author poetically

Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory, this piece fulfilled his class assignment to seek out repertoire from a living composer whose

Commissioned by musicians Richard Lee and Karen Lerner as a gift for their daughter, soprano Katherine Lerner Lee, this art song was premiered in Katherine's master's degree recital at the Bard College

Walt Whitman's eight-part poem is the basis for the text of this art song composed for either soprano, mezzo-soprano, or tenor and piano. Very brief pause may be taken between each of the eight sections;

This is an organ transcription of a well-known Tchaikovsky waltz. It is skillfully arranged and useful for concert or recital use.

A unique collection of toccatas representing selected works from the 16th through 20th centuries. Beautifully edited and extremely useful as postlude and recital material. Contents include works by

This arrangement focuses on the inherent drama of the Good Friday text. Each verse expresses a different reaction to its question about the crucifixion. The piano accompaniment, which plays a featured role