Diverging from the classical-romantic tradition, Brahms used the key of E-flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The

Exactly 300 years after Bach completed his unique cosmos of the Sei Solo a Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works inspired

Edited by Barthold Kuijken.  For solo flute. Urtext Edition. Preface in Ger. and Eng. Includes facsimiles and critical commentary. Score, 26 p. and part.

With an easy piano accompaniment, the sonatina for clarinet and piano "Temperaments", is particularly aimed at more advanced music students and amateur musicians. Each of the three movements represents one

Michael Haydn composed his four Sonatas for Violin and Viola in 1783, commissioned by the Salzburg archbishop. Six sonatas were actually requested, but due to Haydn's illness, his friend Wolfgang Amadeus

Duo or Trio? This early work by Busoni is a flute duet with an amazingly independent piano accompaniment.

The duo for two flutes and piano was written during Ferruccio Busoni’s

Edited by Anna Pulkkis. For violin & piano. Urtext Edition based on Series IV, Vol. 6 of the Jean Sibelius Works complete edition. Introduction and Ger. and Eng. Score, 17 p. and part.

Schelb's four-movement work, closest in style to that by Paul Hindemith among the well-known clarinet sonatas of the 20th century, captivates with its distinctive originality, strong inventiveness, and the

These 36 duos for two violins were designed for developing learners and include original manuscript photos and commentary. Taken from Louis Spohr's violin tutor, a collection of methods and exercises

Johann Kuhnau, Johann Sebastian Bach's predecessor as St. Thomas cantor, is most famous for his sacred cantatas with instrumental accompaniment. In addition to those works, these three motets in five-part

For French horn & piano. Urtext, first edition. Preface in Ger. and Eng. Includes the original solo part for horn in D, as well as a version for horn in F. Score, 37 p. and parts.

The Urtext edition of the “Lobgesang” Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant