Sweeping and cinematic in scope, this multi-movement work serves as both a tribute to the birds that once filled our skies and a warning about our own tenuous existence on the planet. The compositional
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Take the stage with the creator of Microjazz, Christopher Norton! This excellent collection of intermediate to advanced-level solos for clarinet with piano accompaniment includes 15
Take the stage with the creator of Microjazz, Christopher Norton! This collection of 15 entertaining and inventive pieces based on well-known American folk tunes, Christmas carols, and nursery
From one of the UK's bright, emerging choral composers, Rhiannon Randle, is this sublime setting of the familiar Latin text. O nata lux is a personal reflection on the compelling and timeless
From the Grammy-nominated work The Lost Birds, this setting of a poem by Edna St. Vincent Millay ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the
With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a
Maurice Ravel's Mother Goose Suite compirses five charming miniatures, each evoking a fairy tale scene. From the simplicity of the opening Pavane of Sleeping Beauty to the whirling dance of the
Classical composer Vicente Martín y Soler (1754-1806), sometimes called "The Spanish Mozart," wrote a 1786 opera entitled Una Cosa Rara. While the opera has fallen into obscurity, it was
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Here is a lively and intricate setting of the classic French carol that builds to a powerful close. In imitation of the flute and drum mentioned in the carol, the singers play back and forth repeating
Now available for SATB. Based on a Christopher Smart text also memorably used in Benjamin Britten's “Rejoice in the Lamb,” originally set for treble voices, this new voicing retains the little
This transcription of Stravinsky's neoclassical masterpiece is the brainchild of Jonathan Freeman-Attwood, trumpeter, recording producer, writer, University of London Professor and Principal of London's
Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra, it is a long-awaited sequel to the
Originally composed to introduce the various instruments of the orchestra, this set of variations by Benjamin Britten is based on a melody by Henry Purcell. In this setting for wind band, the opening theme
Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts, and the a cappella
Here is a newly-created traditional song that pairs an old hymn text with an original melody. The banjo-like piano accompaniment gives the music motion and excitement and the result is a truly rousing
Written for and dedicated to the United States Marine Band, this powerful composition opens exuberantly with lively syncopated figures and crisp, contemporary melodic lines and harmonies. After evolving
The angular nature of the asymmetrical rhythms and constantly changing meters brings vibrancy and momentum to this work. Shifting harmonic centers create unpredictability and surprise, and the bold,
Originally titled Nowell, Nowell, Dieu vous garde, this 15th-century English carol has been recast in modern form although the ancient feel is still present. Vocal parts may be performed a cappella
For violin & piano. First printing. Commissioned by and dedicated to Joo Yeon Sir. Premiered in London, May 2016. One movement work. Includes a composer's note. Duration: ca. 3'. Score, 11 p. and