Handel's sonatas for flute and basso continuo have been firm favorites among flutists for 270 years. The edition published by Bärenreiter in 1955 could essentially only rely on the pieces issued by the

Georg Philipp Telemann composed 36 fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to his most popular works today, the

This wonderful suite brimming with popular and much-loved melodies has been made available for two melody instruments in all its diversity and in its entirety. As in the original work, enchanting melodies

For flute & clarinet. First printing. Duration: ca. 7'. Score, 14 p.

Camille Saint-Saens The Carnival of the Animals is one of his most popular works altogether. Yet during his lifetime he refused to publish this orchestral piece for fear it would damage his

Federico Maria Sardelli. For flute (oboe, vioin) & basso continuo. Urtext Edition. Preface and critical notes in Ger. and Eng. Includes information on historical performance practice. Score, 62 p. and

Edited by Douglas Woodfull-Harris. For flute & piano. First printing. Preface in Ger., Fr. and Eng. Originally

Edited by Siegbert Rampe. For flute/oboe/violin and harpsichord or organ. As early as 1743, while Handel was still alive, Francesco Geminiani produced an arrangement of the Water Music for keyboard

Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every