Intermezzo No. 2 arranged by Gary Bricault. This selection of delightful material was transcribed from Two Intermezzos for Orchestra.
This selection of delightful material was transcribed from Two Intermezzos for Orchestra.
This is from the BRS Music Abridged solos for clarinet contest performances. Comes with measures numbered, a CD with performance and practice tracks, a judge’s score, and some optional suggestions for
This work is one of the most popular orchestral works of the 18th century. Although fully Mozart, it does not have the endless technical string passages, thus making it adaptable for the saxophone ensemble.
This arrangement of the Berceuse provides the ensemble an opportunity to bring out the beautiful flowing main theme against the underlying moving harmony. The key has been changed to make
Symphony No. 2 in E-Flat Major (1856) was strongly influenced by Gounod’s immediate predecessors of the era. The third movement Scherzo, is light and almost whimsical in form. The piece must
This arrangement by Gary Bricault provides the musicians the opportunity to experience the wonderful ragtime music of the Tin Pan Alley era. A great piece for an encore or to give variety to a heavy
Romanian Folk Dances is written for a full flute choir of piccolo, three flutes, two alto flutes, two bass flutes, and the low sounds of the contra alto flute and the contrabass flute. Each
Sound Bite’s four movements are written for the three sections that make up the band, with the final movement for the full band which features a final cadenza for the soloist. An excellent
Declarations features prominent melodic material throughout; from the fast outer sections as well as the contrasting slower middle section, the melody is always clear. A driving pulse and
Jean Sibelius' Karelia Suite, Op. 11 was written in 1893 for Viipuri Students' Association. The suite is one of Sibelius' earlier works and remains one of his most popular. Scored for sopranino, 2
An original eight-piece work for clarinet ensemble consisting of two groups. Total instrumentation is four clarinets, two basset horns in F or alto clarinets, and two bass clarinets. Featuring
Originally written for double reeds, this arrangement of Gary Bricault is an outstanding contribution to the saxophone choir literature. Scored for sopranino sax, 3 soprano sax, 4 alto sax, 3 tenor sax, 2
Instrumentation of 2 soprano sax, 2 alto sax, 2 tenor sax, 1 baritone sax, 1 bass sax with optional bari sax 2 part as substitute for bass sax.
This sparkling arrangement of a familiar tune dances right along, to the delight of audiences everywhere. Scored for an intermediate SSAATTBB saxophone choir, with optional bass saxophone.