Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities

This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for developing singers. Both German and English lyrics are included in the score of

Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

This familiar aria from the opera Rodelinda is a fine choice for developing choirs. With lyrics expressing the calming, healing, and joyous powers of music, it can be performed for a variety of occasions. A

Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for

This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied

The cries of the damned open the powerful second movement from the Mozart Requiem. “Day of wrath, day of judgment” makes a dramatic choral statement with a mostly homophonic texture. The piano

These two gems for SAB voices work beautifully as a pair. The first, Se lontan, ben mio, tu sei (KV438) is on the slow side, in E flat major. The second, Luci care, luci belle (KV346) is

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella or accompanied using the keyboard reduction. This is quintessential Palestrina with

Representative of the Classical period, Muller's masterwork Gloria is presented in an easy-to-learn arrangement. With mostly step-wise motion, as well as comfortable ranges in all parts plus

Adapted from the original, Hadyn's recognizable Gloria from Harmoniemesse is accessibly set for SAB voices. Lowered to G from the original B-flat, these ranges sit comfortably in the voice, and the

This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and